Gorsedd Challenge

Beginning in January 2013, at the Queen’s Meadhall in Carolingia, I am starting started my Gorsedd Bardic Challenge. This is where I’ll hold I held myself accountable.

I completed my challenges at the Marketplace at Birka in Stonemarche in January 2014.

“Your mission, should you choose to accept it, is to perform a set number of pieces in a year, according to the criteria listed below.  Pieces may be performed in any venue, be it bardic competition, feast, sitting around with friends at a post-revel, or any other occasion within the SCA. The year begins with the first performance.”

To achieve Level 1: Perform 5 pieces
At least one of these must be documented period

Must include at least

  • one story or monologue
  • one song

-Song-
1. “I Fight for You”
original song performed (from book) at the Queen’s Meadhall (Feb 2, 2013)
2. “I am of the North” original song performed at Tourney o’Love during a break at feast. (Feb 18, 2013)

-Period Song-
3. “Three Ravens” performed for Lord Lucien, Queen’s Champion, at the Queen’s Meadhall. Documented period piece performed with voice and harp. (Feb 2, 2013)
4. “I Have a Younge Sister”
performed with harp accompaniment at the Tourney o’ Love. Documented period piece. (Feb 18, 2013)

-Story-
5. “The Tale of Adolphus the Devourer”
an extemporaneous story performed at the Mudthaw feast, while Adolphus acted it out around the feast table (March 23, 2013)

To achieve Level 2: Perform 7 pieces
At least two of these must be documented period
At least one of these must be original
Must include at least

  • one story or monologue
  • one song
  • one poem
  • either one physical performance (juggling, magic, dance, etc.) or one instrumental piece.

-Song-
6. “Follow Me”
an original song performed at Mudthaw at feast for a table of listeners, (March 23, 2013)

-Instrumental –
8. Multiple pieces
at the Smithwick End of Summer Gathering with other players playing harp and lute. During one cantiga I played the melody on soprano recorder as my partners played strings. (August 23-25, 2013)

To achieve Level 3
: Perform 9 pieces

At least three of these must be documented period
At least one of these must be original
At least one of these must be on SCA history
Must include at least

  • * one story or monologue
  • * one song
  •  one poem
  • * one instrumental piece
  • one physical performance (juggling, magic, dance, etc.)

–Poem–
8. For Sir Brennan on His Knighting scroll reading at court – original poem written in the style of Norse verse (November 2, 2013)

9. Instrumental Jam with Mistress Afie and Baroness Emma at Crown Tournament (November 2, 2013) 

–physical performance–
10. Middle Eastern dance at the Birka Hafla (January 25, 2014)

–period song–
11. Amarilli Mia Bella
, performed at the Birka Bardic (January 26, 2014)

FINISHED!
To achieve Level 3: Perform 9 pieces

Period songs: Amirilli Mia Bella, The Herne, I Have a Young Sister, Three Ravens, several cantigas on recorder/voice/harp chords
Original songs: I Fight for You, I Am of the North, Follow Me
Original story: The Tale of Sir Adolphus the Devourer
Original poem on SCA History: The Tale of Brennan’s Knighting
Physical performance: Middle-eastern bellydance

There were many other performances during the year, of many kinds, but these are the ones I am using for my Gorsedd Challenge. The last, the dancing, was the hardest for me, but a small hafla is like a dance bardic circle and while there may be another person on the floor, the dance is a performance all its own. I enjoyed the challenges and would encourage any other performers to try the challenge for themselves!

Regalia Safari

Regalia Safari hunting guide
Regalia Safari hunting guide

One of the things which I think can be overwhelming is understanding exactly who people are and what they represent in the Society. It’s not just a challenge for newcomers but even for SCAdians who have been active for a while but who don’t travel to events outside their area, for example.

All these coronets and crowns, and people wearing fancy jewelry who are called Master or Mistress, and then those guys in colored belts who aren’t called anything in particular but are obviously attached to something…….it’s kind of crazy! And how to talk to someone when you’re too nervous to approach them because of their finery? That’s not fun at all!

When we had our first Baronial Investiture in the fall, I knew that we’d have a lot of visitors, including Royalty and many royal cousins from other Baronies. Add in the mix of Peers of all sorts, and everyone else and I knew that there would be great people watching!

So I devised a class on visually recognizing East Kingdom award heraldry and tokens. We spent time in a room going over images and then a small clutch took to the event to people watch and be put to the test to see what they could find out by carefully looking at someone.

When the Kingdom 12th Night was nigh, I offered to do something similar as a youth class – a Regalia Safari. As it happened, no youth attended at all, but a varied group of newer, older, and interested SCAdians joined me in walking the event halls and accosting people who I knew, or whose display of their regalia could tell my group a lot about who they were – without a word.

I made up these sheets and everyone had one. Soon they knew who was a Baroness and who was a good fighter (Tygers Combatant). The could see who would be courteous (Queen’s Order of Courtesy) and who might lend a hand (Pelican or Silver Crescent) if needed. They could see who served as Royalty. Noted members of the Queen’s Guard. Looked for “tricky Laurels” whose leaves were subtly displayed in a coronet or in trim. Knew the dangerous fencers and archers. They asked Knights questions and asked Peers and Barons and others what their regalia meant when they didn’t recognize it. I think that people learned something and I hope they will always feel comfortable approaching someone if they have a question. It went longer than I anticipated – nearly two hours – but overall it was a good first run!

Some folks wanted to know if they could use the sheet I made to help do something similar in their areas. So, here it is!

Safari hunt 2.0 pdf. (This document prints 2-up on legal sized paper.)

How to Have a Regalia Safari of Your Own

Version One – With an Experienced Guide

  • Print up a set of copies of the above Safari hunting guide. Give one to each participant.
  • If you have more than 8 people, recruit a knowledgeable assistant.
  • Meet someplace quiet at first and introduce yourselves to each other. If for children (or really new adults possibly) go over the Rules of Engagement.
  • Give a quick overview of the sheet and explain how it’s arranged (Royals, Coronets, Peers and their students, Orders of High Merit conveying an AoA, and then the other awards and recognizable tokens or regalia.)
  • Take a walking field trip as a group. More than 8 people requires a person to take up the rear of the group and answer questions at that end.
  • Ask the group what they see – they will look largely at coronets to ID the category at first but will look more closely as they continue. Point out any obvious regalia around (politely!)
  • Approach people with displayed regalia – Greet them appropriately (Master/Mistress/Sir/Excellency/etc) and explain that you’re on a Regalia Safari and would like to please see X or Y medallion. It’s a good time to ask them what an award means if you’ve not gone over it yet. When done, thank them very much and move on.
  • Continue until you’ve seen most of the major award regalia.
  • End someplace quiet to field questions.

 

Version Two – SCAvenger Hunt Version

  • Print up a set of copies of the above Safari hunting guide. Give one to each participant. Have a writing implement for each person as well.
  • Meet someplace quiet at first and introduce yourselves to each other. Go over the Rules of Engagement. Discuss appropriate forms of address by referencing the sheet.
  • Do an overview of the sheet, especially noting the items without pictures.
  • Choose a return time.
  • Send out the group in pairs or triads to find as many of the listed things as they can, checking off the list as they’re seen.
  • End someplace quiet to field questions.
  • When the teams return, the group which has the most items checked should be given a small token – little favors or chocolate, etc…

 

Christmas 2013 – Creator of the Stars of Night

http://mbouchard.com/misc/Creator-Of-The-Stars-Of%20Night2013Christmas-Midnight.m4a

I’ve tried to record something every Christmas – tonight after a long drive and unpacking and getting a boy in bed and, and, and….

We had an ice storm two days ago and even the slight breezes make the trees crackle. They sparkle like diamonds. The ground is all cold, cold squeeky snow and ice.  It is supposed to be -20 tomorrow with wind chill.

Right now it is cold and clear – the stars are brilliant and dancing. So I went to the driveway with my hymnal and sang this beneath the stars. It seemed appropriate to sing this particular ancient song there, into my ipad, under the beauty of creation.

I realized that I sang right into Christmas Day. You’ll hear my footsteps on the icy snowy walk back into the house.

Merry Christmas friends, may there be great joy for you and may the fellowship and love of this season remain with you throughout all the others.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

About the song:

“Creator alme siderum” was written by James A. Dominic Aylward, 1843-1850. It comes from “Conditor alme siderum” an Ambrosian chant from the 6th or 7th Century.

Creator of the stars of night,
Your people’s everlasting Light;
O Christ, Redeemer of us all
We pray you hear us when we call.

In sorrow that the ancient curse
should doom to death a universe,
you came, O Savior, to set free
your own in glorious liberty.

At your great Name, O Jesus, now
all knees must bend, all hearts must bow;
all things on earth with one accord,
like those in heaven, shall call you Lord.

To God Creator, God the Child,
and God the Spirit, three in one,
praise, honor, might, and glory be
from age to age eternally.

Virtus, honor, laus, gloria
Deo Patri cum Filio,
Sancto simul Paraclito,
In seeculorum saecula.

(The song in whole, close to this but without the Latin, is available to read here…http://www.missionstclare.com/music/advent/Creator_of_the_stars/creator_of.html)

Christmas Music of Days Long Past

length: 7:51 min  |  download size: 11.3mg

Please feel free to download it! Merry Christmas!

For Rainilt (Lee Ann Posavad) who wanted Christmas music….

I did not record anything new, but I DID go and look up the recording of last Christmas morning’s preludes and offering hymns from Christmas morning 2012. They are all very old carols accompanied by Kevin Birch at the beautiful Hook pipe organ at St. John’s Catholic in Bangor.

The songs are sections of :

This Endris Night (15th century)
The Carnal and the Crane (Child Ballad 55, believed to be much older than its first text)
Personent Hodie (1582 from the Piae Cantiones)

and the whole of the

Heuron Carol (c.1650).

Period Songs I Can Sing

I started to think about period music I know and period music I’m learning.
For my own brain, I decided to make a list. And figured that here is as good a place as any to keep it.

Period Songs I am Working On Currently (though slowly!)

Robin Ma’maime: Adam de la Halle, 13c
A l’entrada del tens clar: Anon, 12c
Douce Dame Joile: Guiamme de Machault, 14c
Reis Glorious: Guiralt de Bornelh, 12c
Prendes I Garde: Guilame d’Amiens, 13c
Or La Truix: Anon 13/14c
Kalenda Maya: Raimbaut de Vaqueiras, Southern French, c. 1155-1207
Ja Nus Hons Pris: Richard the Lionheart, written 1192 – 94 (And my contrafact “Neuer Ye Yeve Away” to this same tune)
Winder wie ist: Neithart von Ruenthal,12c
C’Est la Fins: Guilame d’Amiens, 13c

 (These are mostly in French, which I do not speak, and so the words are extra slow going. I am also working to be able to accompany myself on my big psaltery harp or gothic lyre since they’re likely instruments similar to what a solo singer might have had at her disposal. I’m quite in love with the sound and feel of this music, and will be working toward learning them as well as I know my handful of beloved Middle English songs.)

Period Songs I Can Sing Upon Request

Sumer is Icomin In: Anon.,part-song from the 12 th century
Antiphon for the Virgin (Cum Erubureint): Hildegarde von Bingen, early 12th century
I Have a Younge Sister:
Middle English lyric/ based on the John Flegel arrangement
Maiden in the Moor Lay:* MS Sloane 2593. c. 1430.
The Herne:* anon 14c/ Breton tune
Sainte Nicholas, God is Druth (Hymn to St. Godric):
St. Godric of Finchale, also called St.Nicholas (c. 1070-1170)
Where the Bee Sucks: words Shakespeare “The Tempest” / tune Robert Johnson, late 16th century
Pass Time with Good Company: Henry VIII, early 16 th century
All in a Garden Green:
anon/John Playford’s collection “The English Dancing Master” 1651

Three Ravens: Ravenscroft, 1611
Amirilli Mia Bella: Giulio Caccini, 1614

Songs That Only Are Fun With Other People (Rounds etc)

Three Blind Mice: Ravenscroft 1609
Round of Three Country Dances in One:
Collected by Thomas Ravenscroft, 1609

John Kiss Me Now: Collected by Thomas Ravenscroft, 1609
Hey Downe Downe: Collected by Thomas Ravenscroft, 1609
Hey Ho, Nobody Home:
Anon.,round collected by Thomas Ravenscroft, late 16 th century

I Am Athirst: Collected by Thomas Ravenscroft, 1609
Hot Mutton Pies (anon)
Banbury Ale Collected by Thomas Ravenscroft, 1609
New Oysters Collected by Thomas Ravenscroft, 1609
Joan Glover Collected by Thomas Ravenscroft, 1609
To Portsmouth Collected by Thomas Ravenscroft, 1609
Hey Ho to the Greenwood
We Be Three Poor Mariners:
Ravenscroft
Of All The Birds:
Ravenscroft
Lady Come Down and See: Ravenscroft
Come Follow: John Hilton (17c)

Songs Which I Can Perform from Music and/or Lyric Sheets

Worldes blis ne last no throwe: Middle English
Miri it is while sumer ilast:
Middle English
Blow Northern Wind:
Middle English
Alison:
Middle English
Byrd one Brire: Middle English, Camb. King’s Coll. MS Muniment Roll 2 W. 32r
Victime Pascale Laudes (Easter Sequence): 1200, Wippo of Burgundy
The Rules of the List: Chant, Gregorian mode, c.1350 😉
Ah Robin, Gentle Robin: William Cornish the Younger, d.1523
Blow Thy Horne Hunter: William Cornish the Younger, d.1523
O Lusty May:
Anon 16c
Wir Zogen In Das Feld:  Landschneckt marching song, 1540
Matona Lovely Maiden: English “translation”, Orlando di Lasso, c. 1532-1594
Mon Coeur Se Recommande a Vous/My Heart is Offered Still to You: Orlando di Lasso, mid 1500s
The Northern Lasses Lamentation to the tune Goddesses ; or, The Unhappy Maids Misfortune : John Playford’s collection “The English Dancing Master” 1651;
Farewell Adeiu (to the tune of Selliger’s Round)
: Anon.

Country Man’s Delight (to the tune of Selliger’s Round) : Anon.
Young Men and Maids (to the tune of Selliger’s Round) : Anon.
Oh Mistress Mine: text Shakepeare, Twelfth Night: Act II, Scene 3; tune Anon.;
Greensleeves: Anon. first mentioned in 1580
When Joan’s Ale Was New: Anon. 1594
Come Again Sweet Love : John Dowland 1597
Can She Excuse My Wrongs : John Dowland 1597
Now is the Month of Maying : Thomas Morley 1595
Oh Lusty May : Anon. c.1550
Jack and Joan: Thomas Campion
I Care Not For These Ladies: Thomas Campion
Fair if You Expect Admiring: Thomas Campion
Fine Knacks for Ladies: anon/tune Dowland c1600.

Period Yule Music With Sheet Music

The Carnal and the Crane: Child 55, noted in the Oxford Book of Carols as having medieval origin
This Endris Night:
15th-century

Personent Hodie: Melody from Bavarian manuscript (1360), Lyrics from Piae Cantiones 1582
The Old Year Now Away Has Fled (Greensleeves): English Traditional, From a Black Letter Collection, 1642, Ashmolean Library, Oxford
To Drive the Cold Winter Away: Anonymous, before ca. 1625
Dona Nobis Pacem: Giovanni Pierluigi da Palestrina, 1500s
Blow Blow Thou Winter Wind: Shakespeare/Goddesses
Get Ivy and Hull: words Thomas Tusser, 1558, tune traditional
Gaudete: Piae Cantiones of 1582
A Carol Bringing In the Boar’s Heed: Lyrics by: Wynkyn de Worde 1521
Good King Wenceslas: tune “Tempus Adest Foridum” (“Spring has unwrapped her flowers”) “Piae Cantiones” of 1582 lyricsJ.M. Neale, 1853
In a Manger He Is Lying: Polish Carol, 16th Century
Lo How a Rose: Es Ist Ein Ros, 15th Century German carol, Michael Praetorius, 1609
In Dulci Jubilo: Heinrich Suso (ca. 1295-1366) “In Dulci Jubilo,” 14th Century German melody
There Comes a Vessel Laden: Andernach Gesangbuch, 1608
Covertry Carol, Luly, lulay: Robert Croo, 1534. (The Coventry Plays are recorded as having been witnessed by Margaret, Queen of Henry VI, as early as 1456, by Richard III in 1484, and by Henry VII in 1492.)
Tommorow Shall Be My Dancing Day: date in question. The New Oxford Book of Carols suggests that the song was originally part of a medieval Mystery Play.
Wassail Wassail: Gloucestershire Wassail, traditional English, some verses believed from the middle ages
Bring a Torch Jeanette, Isabella: French Provençal Carol by Émile Blémont; French Tune adapted by Seguin from Charpentier (late 1600s)
I Saw Three Ships: John Forbes’ Cantus, 2nd. ed, and is also known as “As I Sat On A Sunny Bank”. It probably dates from the 16th century.
Riu Riu Chiu: Mateo Felcha the elder, Spanish Traditional, 16th Century
The Old Year Now Away Has Fled: Words: English Traditional, From a Black Letter Collection, 1642, Ashmolean Library, Oxford; Tune, Tudor traditional “Greensleeves”
Hey Ho Nobody Home: Traditional Round, Thomas Ravenscroft, published 1609
Veni Emmanuel / O Come, O Come Emmanuel: 15th Century French Plain Song melody; Some sources give a Gregorian, 8th Century origin