Maunche – Seamus na Coille Aosda

Ri Kenric and Bean-righ Avelina call to their people to listen. Praise is the mead of those who make impressions. Spear-tall stands Seamus shire-maker, saffron-robed, armed to raid. A man of great worth, ceithearn* and crafter of Clan Cnoc Gorm, he walks the wood-lands in soft silence.

Tiarna Seamus na Coille Aosda knows all things which a forest-man should know, to weave and sew, to cut and fletch, to dye and work wool and leather. He bends the yew and makes for it a singing string. He fletches the arrow that feeds the clan. He sets the snare and praises the prey. He strikes the stone and brings forth sparks. He heats and strikes the iron to sharpness. He knows the trees both new and ancient. He forms fine things from them. He knows the stars and their directions. He sleeps beneath them in all weather.

Rare-gift giver, Seamus steadies new birch sapling, binds and props the eldest yew. Ceithearn and crafter, shares Fintan’s wisdom with all who fish. This day sleeve-wearers seek his presence, bid him now to join their Order with arms-grant given, Argent, a trillium purpure barbed vert and seeded Or.

In the fields of Malagentia, ringed with royal forest, the Maunche calls at the Great Northeastern Creach Rígh*on July’s ninth day, A.S. LI, at the Great Northeastern Creach Rígh* and it is the will of Ri Kenric and Bean-righ Avelina that this be done. And so it was done.


* ceithearn pronounced “Kern”

* Great Northeastern King’s Raid

** The little fire that warms is better than the big fire that burns.

Illumination by Lady Agatha Wanderer. Calligraphy by Mistress Nest verch Tangwistel. Words by Mistress Aneleda Falconbridge.

Scroll text inspired by the The Book of Anuerin, Cardiff MS 2.81.  

Maunche – Gideon ha-Khazar

The great poet Samuel ha-Nagrid has written,

“Man’s wisdom is at the tip of his pen,

His intelligence is in his writing.

A pen can raise a man to the height

Of the scepter in the hand of his king.” *

We, King Kenric ap Essex and Queen Avelina Keyes, attest to the truth of this.

It is with a pen that Lord Gideon ha-Khaza has shared his knowledge of fighting laws and histories of the Jewish people with the Knowne World. We bid him approach the Eastern scepter to be named a Companion of the Order of the Maunche, so recognized at the Coronation of Their Majesties Kenric and Avelina in the Shire of Quintavia on the ninth of April, A.S. L.

 


Illumination by Agatha Wanderer, Calligraphy by Alexandre St. Pierre, words by Aneleda Falconbridge.
*Poem, “The Power of the Pen” by Samuel ha-Nagrid, is based on translations by David Goldstein and Peter Cole.

Aneleda’s works…

This is the website for Læri-móðir Aneleda Falconbridge, as she is known of in the Society for Creative Anachronism. It contains scroll text, lyrics, original songs and poetry, musings, and occasionally even instructions!

Aneleda lives in the Barony of Endewearde in the East Kingdom. While she may mostly be found by following the noise, she’s often sighted at her desk writing scroll text, tunes and lyrics; playing with (or at least encouraging) the Northern Army; singing and middling through songs on her harp; cooking weird things; and attempting, with futility, snail husbandry. (She is not a “gross things Laurel” but gets closer every day!)

Aneleda in the woods
Her mouth is open in most pictures, except this one. 

Aneleda enjoys camping with her early-period (ish) collective, Noorden Bruggen. Their membership is primarily Norse, Saxon, Celtic, and Mercian, with a smattering of other times and places thrown in.  The collective enjoys historic cookery, music, discussion, and modern beverage alchemy.

She is a Companion of several Orders — the arts Orders of the Laurel and the Maunche and the service Orders of the Pelican and the Silver Crescent. She is also a member of the Order of the Troubadour, a Companion of the Burdened Tyger, one of the Company of the Pennon of the East, and a Baroness of the Court of Gregor and Kiena.

She has been playing in the Society since 2002, her first event being the Great Northeastern War and her second event being Pennsic 32. Aneleda was an apprenticed to Mistress Mira Fennor of Argyll and is a member of Thanet House of the lineage of House House Ainissestor.

Her CD “I Am of the North” is available for purchase at https://aneledafalconbridge.bandcamp.com/ 

Her latest musical projects can be found at https://falconbridge.bandcamp.com including “By the Weight of the Chain.”

Aneleda Falconbridge in garb, rocking hand horns, mouth wide open as if yelling
A fairly normal representation of Aneleda Falconbridge

Aneleda’s modern counterpart, Monique Bouchard is a wife and mother, self-proclaimed nerd, SnowCon gaming convention founder, church cantor, and a marketing professional, content writer, and communications consultant.

Maunche for Christiana Crane

Maunche for Christiana Crane, given at Birka AS 50. Words inspired by and adapted from “The Pearl” – a late 14th century Middle English poem by an anonymous author. Below it is in middle English and modern English.

The gilt and gall wel knawe þys hyne

Abowte hyr displayed much gode work there

Se more mervayle by hyr hyne bygynne

Come, Maunche, to maid ful debonere

Þat in alle wyyes we now myght wynne

Christiana Crane, bryght and fayre,

Worthé fraunchyse joye and blysse hereinne.

As glysnande golde that man con schere,

I sette hyr sengely in synglere.

Grant heo armes, azure, a crane

in vigilance argent and a tierce ermine

and wel singe hyr dede once agayn.
Perle, plesaunte to prynces paye

Wordes clanly clos in golde so clere;

Oute of oryent, I hardyly saye.

Ne proved I never her precios pere.

Quere-so-ever one jugged letters gaye,

So smal, so smothe her hyne were,

So fyne, so reken in uche araye.

At Birka in the winter market chere

in society’s fiftieth yere

Þirty days in January it was seen,

whene set þeir names in fine ink here

did Brennan King and Caoilfhionn Queen.

The gold gilt and gall ink knows well this hand

about her displayed much good work there

see more marvels by her hand begun

Come, Maunch, to this gracious maid,

that in all ways we might now win

Christiana Crane, bright and fair,

worthy franchise will have joy and bliss herein.

As glistens gold that man has wrought

I set her worth as truly rare

grant her arms, azure a crane

in its vigilance argent and a tierce ermine

and sing well of her deeds once again.
Pearl, to delight a prince’s day,

Words flawlessly set in gold so fair

In all the East, I dare to say,

I have not found one to compare.

Wherever one judged letters gay

So small, so smooth her hands were,

So fine, so radiant in array.

At Birka in the winter market cheer

in society’s fiftieth year

thirty days in January it was seen,

whene set their names in fine ink here

did Brennan King and Caoilfhionn Queen.

 

Below are sections of “The Pearl” which inspired and guided the above text.

a

b

a

b

a

b

a

b

b

c

b

c

Perle, plesaunte to prynces paye

To clanly clos in golde so clere;

Oute of oryent, I hardyly saye.

Ne proved I never her precios pere.

So rounde, so reken in uche araye,

So smal, so smothe her sydes were,

Quere-so-ever I jugged gemmes gaye,

I sette hyr sengely in synglere.

Allas! I leste hyr in on erbere;

Thurgh gresse to ground hit fro me yot,

I dewyne, fordolked of luf-daungere

Of that pryvy perle wythouten spot.

Perle, plesaunte to prynces paye

Wordes clanly clos in golde so clere;

Oute of oryent, I hardyly saye.

Ne proved I never her precios pere.

So fine, so reken in uche araye,

So smal, so smothe her letters were,

I sette hyr sengely in synglere.

Pearl, to delight a prince’s day,

Flawlessly set in gold so fair

In all the East, I dare to say,

I have not found one to compare.

So round, so radiant in array,

So small, so smooth her contours were,

Wherever I judged jewels gay

I set her worth as truly rare.

I lost her in a garden where

Through grass she fell to earthen plot;

Wounded by love beyond repair

I mourn that pearl without a spot.

a

b

a

b

a

b

a

b

b

c

b

c
a

b

a

b

a

b

a

b

b

c

b

c

The gilt and gall wel knawe thys hyne

Abowte hyr displayed much gode work there

Se more mervayle by hyr hyne bygynne

Come, Maunche, to maid ful debonere

Than in alle wyyes we now myght wynne

Christiana Crane, bryght and fayre,

Oure fraunchyse joye and blysse hereinne.

As glysnande golde that man con schere,

I sette hyr sengely in synglere.

Grant heo armes, azure, a crane

in vigilance argent and a tierce ermine

and wel singe hyr dede once agayn.
Perle, plesaunte to prynces paye

Wordes clanly clos in golde so clere;

Oute of oryent, I hardyly saye.

Ne proved I never her precios pere.

So fine, so reken in uche araye,

So smal, so smothe her hyne were,

Quere-so-ever one jugged letters gaye.

At Birka in the winter market chere

in society’s fiftieth yere

thirty days in January it was seen,

whene set their names in fine ink here

did Brennan King and Caoilfhionn Queen.

More haf I of joye and blysse hereinne,

Than alle the wyyes in the worlde myght wynne

Whether welnygh now I con bygynne-

Fyrst of my hyre swete Maunche con mynne:

First off, the Maunche that evening welcomed me

‘Deme3 þou me’, quod I, ‘my swete,

To dol agayn, þenne I dowyne.

Now haf I fonte þat I forlete,

Schal I efte forgo hit er euer I fyne?

Why schal I hit boþe mysse and mete?

My precios perle dot3 me gret pyne.

What serue3 tresor, bot gare3 men grete

When he hit schal efte wyth tene3 tyne?

Now rech I neuer for to declyne,

Ne how fer of folde þat man me fleme.

When I am partle3 of perle myne,
“Þat date of 3ere wel knawe þys hyne.

Þe lorde ful erly vp he ros

To hyre werkmen to hys vyne,

And fynde3 þer summe to hys porpos.

Into acorde þay con declyne

For a pené on a day, and forth þay got3,

Wryþen and worchen and don gret pyne,

Keruen and caggen and man hit clos.

Aboute vnder þe lorde to marked tot3,

And ydel men stande he fynde3 þerate.

‘Why stande 3e ydel?’ he sayde to þos.

‘Ne knawe 3e of þis day no date?’

Pearl, to delight a prince’s day,

Words flawlessly set in gold so fair

In all the East, I dare to say,

I have not found one to compare.

So fine, so radiant in array,

So small, so smooth her contours were,

Wherever I judged jewels gay

Like gold that craftsmen work upon

I set her worth as truly rare.

The gilt and gall know well this hand

Like gold that craftsmen work upon
More courtly maiden there was none.

Than all the world could e’er profess

so sing well of her deed and thought again.

The gilt and gall wel knawe thys hyne.

The lady  ful erly up he ros

To hyre werkmen to hys vyne,

And fyndes ther summe to hys porpos

The gilt and gall know well this hand

To pen

‘The hands knew that the day was near;

That lord full early up arose

To hire men, and commandeer

Their labour; and he hires those

That juel thenne in gemmes gente

Vered up her vyse wyth yyen graye,

Set on hyr coroun ot perle orient,

And soberly after thenne con ho say:

‘Sir, ye hat your tale mysetente,

To say your perle is al awaye,

That is in cofer so comly elente

As in this gardyn gracios gaye,

Hereinne to lenge for ever and play,

Ther tnys ne mornyng com never nere.

Her were a forser for the, in faye,

If thou were a gentyl jueler.’

That jewel then in gems arrayed

Lifted to me those eyes of grey,

And donned her crown, of jewels made,

And gravely then I heard her say:

‘Sir, your conclusion is mislaid

To say your pearl has fled away,

That is in such a casket laid

As in this gracious garden gay,

To dwell in joy in endless day;

Never can loss or grief come near.

No pearl in such a casket lay,

‘Twould seem, for any jeweller

More mervayle con my dom adaunt:

I sey byyonde that myry mere

A crystal clyffe ful relusaunt;

Mony ryal ray con fro hit rere.

At the fote therof ther sete a faunt,

A mayden of menske, ful debonere;

Blysnande whyt was hyr bleaunt.

I knew hyr wel, I hade sen hyr ere.

As glysnande golde that man con schere,

So schon that schene anunder shore,

On lenghe I loked to hyr there;

The lenger, I knew hyr more and more.

More marvels to my sense repair

I looked and saw yet more anon,

A crystal cliff resplendent there

With royal rays of splendour shone;

And at its foot a child so fair

More courtly maiden there was none.

A gleaming mantle she did wear;

I knew her well from times long gone,

Like gold that craftsmen work upon

So shone that maid upon that shore,

And long my eyes did linger on

That maid, and knew her more and more.

So al was dubbet on dere asyse

That fryth ther fortwne forth me feres.

The derthe therof for to devyse

Nis no wyy worthé that tonge beres.

I welke ay forth in wely wyse;

No bonk so byg that did me deres.

The fyrre in the fryth, the feier con ryse

The playn, the plonttes, the spyse, the peres,

The rawes and randes and rych reveres –

As fyldor fyn her bonkes brent.

I wan to a water by schore that scheres;

Lorde, der was hit adubbement !

The splendour bright of that display,

The wood where fortune smiled on me,

The glory thereof to portray

No man could render worthily.

I wandered joyful on my way;

No height could do me injury.

As through the woods my footsteps stray

Field, shrub, and spice, and each pear-tree,

Hedgerow and stream and banks I see

Like gold thread shines each wooded height;

I came to a streamlet running free;

Lord, glorious was that splendour bright !

The adubbement of tho downes dere

Garten my goste al greffe foryete.

So frech flavores of frytes were,

As fode hit con me fayre refete.

Fowles ther flowen in fryth in fere,

Of flaumbande hwes, both smale and grete.

Bot sytole-stryng and gyternere

Her reken myrthe moght not retrete;

Fir quen those bryddes her wynges bete,

Thay songen wyth a swete asent.

So gracios gle couthe no mon gete

As here and se her adubbement.

The splendour of those bright hills there

My spirit freed from my side fate;

Refreshing was the fragrance clear

Of fruits, as though of food I ate;

Birds flew in all the woodland near

Of myriad hue, both small and great,

Cytole and cithern none could hear

To match a sound so delicate;

The notes their wing-beats did create

Made sounds of such sweet delight

Such charm no man could fabricate,

As here in all their splendour bright.

 

Christiana Crane was born July 28, 1315 in York. The daughter of a successful and well respected merchant, her family was mercifully spared from desperate hardship during the Great Famine. Many years later, her family undertook a pilgrimage to the Cathedral of Santiago de Compostela to give thanks for their many fortunes. Sadly, her family succumbed to the various hazards of the road, leaving her to seek sanctuary with Lord and Lady Fulton. As a member of their household, Christiana has had the pleasure of meeting many new people from all points of the globe, and experiencing their exotic ways.

Grant her arms, azure, a crane in its vigilance argent and a tierce ermine.

Contents of My Bard Book

Because I’ve been asked more than once about the contents of my bard book, this is what’s in the latest incarnation. This is what’s in the book I carry with me, not my books at home or binders. I wear this volume (well, one very similar to this. This includes pages I just have sticking into the one I wear, which is leather with several signatures sewn in, each representing new additions. It’s a bit haphazard, but I seldom keep it out of my reach.*

It’s often worn on my belt, and I like having something for pretty nearly every occasion at my easy reach, should I be asked. It has served me very well. 

A Blacksmith Courted Me traditional
A North Country Lass or Northern Lasses Lamentation Broadside, Northern Lasses lamentation, / OR / the unhappy Maids Misfortune
A Song For King Gregor’s Private Ears Aneleda Falconbridge
A Young and Henpecked Husband’s Complaint anon c. 15c.
All in a Garden Green John Playford (1623-1686)
Alysoun anon middle English (1100-1250?)
Amarilli Mia Bella Giulio Caccini (1546-1618)
An Ode to Boorish Critics Everywhere Aneleda Falconbridge
Angus, Build a House For Me Aneleda Falconbridge
Anthem For Malewerdia Aneleda Falconbridge
As the Chain Holds Many Links Aneleda Falconbridge
Ave Tigris Regia Text by Judith FitzHenry, Fiana of Clare, & Alexandre d’Avigne, Melody 13th Cent. anon
Beloved Aneleda Falconbridge
Blou Northerne Wynd! anon. c. 1300 (Arthur Quiller-Couch, ed. 1919. the Oxford Book of English Verse: 1250–1900)
Bonny Portmore traditional
Bow to the Crown Lyrics Heather Dale
Broom of the Cowdenknowes traditional Scottish, Child #217, earliest pub 1651
By the Weight of the Chain Aneleda Falconbridge
Caledonia Dougie MacLean
Called the Captain -A Song For Cedric of Armorica and the Eastern Unbelted Champions of Pennsic Xl. Aneleda Falconbridge
Can She Excuse My Wrongs John Dowland, No V from First Booke of Songs or Ayres (1597
Carmen Orientalis Text by Wendy Gale (Sabine de Kerbriant). Medody: In Taberna from the Carmina Burana, 13th Century
Come Again Sweet Love…the Parental Version Aneleda Falconbridge
Come Again, Sweet Love Doth Now Invite John Dowland, the First Booke of Songs or Ayres (1597), No. 17
Coronation Feast From Hell Emil Allzuwissender
Corpus Christi Carol anon, middle English
Cruel Kate Rusby
Dance the War Away Aneleda Falconbridge
Death and the Maid tradtional, tune from 1729 is Broadside 107, late 16th century
Death Holds a Rapier Aneleda Falconbridge
Ever Comes the Sun Aneleda Falconbridge
Every Man May Be a King Aneleda Falconbridge
Excelsior Sir Diomedes Sebastianus
Fair Lady Atlantia (Lady by the Sea) Master Efenwealt Whystle (Scott Vaughn)
Farewell My Bonny Aneleda Falconbridge
Fighters of the Center of the Realm Aneleda Falconbridge
Fill the Cup Oh Merry Barmaid Aneleda Falconbridge
Fine Knacks For Ladies John Dowland, No. XII from Second Book of Songs or Ayres (1600)
Fire If You Expect Admiring Thomas Campion, 1601
Flow, My Beers Aneleda Falconbridge
Flow, My Tears John Dowland, 1600 in The Second Book of Songes (No.2)
Fly on Whitened Wing, a Poem For Dziuginte Stickbait Aneleda Falconbridge
Follow Me Aneleda Falconbridge
For Master Kraken Gnashbone, Fifteenth Tyger of the East Aneleda Falconbridge
Forsaking All Others Aneleda Falconbridge
Four Green Fields Tommy Makem, 1967
Gaudete, Gaudate 16th century, possibly earlier
Good People Gallowglass
Green Groweth the Holly Henry VIII, d.1547
Hardian’s Town / to the Hadchester Coast You Should Go Aneleda Falconbridge
Harvest Lisa Theriot
Health to the Company traditional
Here Comes the East Aneleda Falconbridge
Hold Fast Me Boys Aneleda Falconbridge
Hweat! Celowyn Aneleda Falconbridge, filk Neil Diamond
I Am My Mother’s Other Daughter Kudrun Pilegrim
I Am of the North Aneleda Falconbridge
I Care Not For These Ladies Thomas Campion, #3 in a Book of Ayres for the Lute, Bass Viol and Voice 1601
I Fight For You Aneleda Falconbridge
I Have a Gentle Cock anon 15th c. Sloane
I Have a Yong Suster anon, based on John Fleagle
I Know What Summer’s For Jean du Montagne
If I Die An Old Maid in a Garret Clancy Brothers and Tommy Makem
If I Were a Black Bird traditional
If I Were a Poet Kermit the Frog, Music by Stephen Lawrence / Lyrics by David Axlerod, 1982
Introverted Spouse Aneleda Falconbridge
I’Ve Gone to the Tourney on a Horse With No Name Aneleda Falconbridge, filk America
Jack and Joan Thomas Campion, the First Booke of Ayres. Contayning Divine and Morall Songs (about 1613
Joan’s Ale broadside, c.1594
Kingmaker and Valkyrie Aneleda Falconbridge
Ladies Revolt of AS 44 Written on the Occasion of Her Majesty Marguerite’s First Court Aneleda Falconbridge
Lady Isobel and the Elf-Knight Lisa Theriot
Leaves As Red As Love Aneleda Falconbridge
Lifeblood, a Viking Drinking Song Mistress Wyndrith Berginsdottir
Love Fights the Good Fight Aneleda Falconbridge
Love Song For the Poetically Challenged Aneleda Falconbridge
Maiden in the Moor anon, middle English, based on John Fleagle
Maleweardian Anthem Aneleda Falconbridge
Martin Said to His Man (Fie, Man Fie!)- Thomas Ravenscroft, Deuteromelia, 1609
Merie It Is middle English, Theodore Silverstein “English Lyrics Before 1500” (1989)
Monument Aneleda Falconbridge
My Heart Is offered Still to You Orlando di Lasso, 1560
My Lemman Doth Give Me Joy! Aneleda Falconbridge
My Mother’s Savage Daughter Mistress Wyndrith Berginsdottir
Neuer Ic the Ne Yeve Away Aneleda Falconbridge & Sir Richard Rollings
No Gentle Lamenting, a Lullaby For Daughters Aneleda Falconbridge
Northern Love Aneleda Falconbridge
Northguard! Aneleda Falconbridge
Now Springes the Spray – lyric anon. c.1300, tune Aneleda Falconbridge
Ode to Endewearde Aneleda Falconbridge
Ode to the Eastern Army Aneleda Falconbridge
Oh Rise Up My King Aneleda Falconbridge
On Christmas Day Aneleda Falconbridge
On Courtly Love by a Modern Troubador Aneleda Falconbridge
On Recognitions Aneleda Falconbridge
One of Us Heather Dale
Only Thl Lucia Elena Braganza
Over My Mountain Dougie MacLean
O’er the Hills (and follow Kenric) Aneleda Falconbridge, filk traditional
Parting Glass traditional
Passetyme With Good Companye Henry VIII, d.1547
Please to See the King traditional (popularized by Martin Carthy)
Raise Up the Sword, a Poem For Julien Aneleda Falconbridge
Reynardine traditional, Fairport Convention
River-Bone Warrior, a Song For Talen Aneleda Falconbridge
Robins m’Aime Adam de la Halle ca. 1284
Sailor’s Vigil Andrew O’Brien
Sainte Nicholaes English Mystic, Godric of Yorkshire, c.1065-1170
Saturday Night Up in Asgard Aneleda Falconbridge
Savage Father by Master Fiskr Hamondsen
See the Fires of Endewearde Aneleda Falconbridge
Sellinger’s Round/Under the Greenwood Tree William Byrd, 1591
Shield My Kinsmen Mistress Windryth Berginsottir
Song For the Bare Blade Tavern Brawl Aneleda Falconbridge
Song of the Shieldwall Words: Malkin Gray (Debra Doyle) Tune:Peregrynne Windrider (Melissa Williamson)
Stalk Like the Tyger Aneleda Falconbridge
Stands a Warrior Baroness Emma MacMinn
Stone Soup Healther Dale
Sweeting Carolyne Aneleda Falconbridge, filk Neil Diamond
The Book of Love Magnetic Fields
The Brigantia’s Lament Aneleda Falconbridge
The Broken Towers Aneleda Falconbridge
The Burning of Auchindoun traditional
The Call of the Drum Aneleda Falconbridge
The Cardinal Ordained, For Master Julien De Lapointe Aneleda Falconbridge
The Clean Song traditional shanty
The Compleynt of Anelida the Quene Upon Fals Arcite Chaucer, c. 1340–1400
The Drum and the Sword (Mylisant’s Song) Jean du Montagne
The Eastern Tygers Roar Aife ingen Chonchobair in Derthaige
The Favored One Aneleda Falconbridge
The Fight Aneleda Falconbridge
The Good Man traditional
The Hern anon, based on John Fleagle
The Keeper/Among the Leaves So Green-O collected by Cecil Sharp 1909, traditional
The King’s Man Aneleda Falconbridge
The Lady Reynardyne Aneleda Falconbridge
The Links of Virtue Aneleda Falconbridge
The Love Story of Turi Mackinnon and His Marguerite Aneleda Falconbridge
The March Home Aneleda Falconbridge
The Minstrel and the King Aneleda Falconbridge
The Minstrel Boy Thomas Moore (1779–1852), set to Irish air, The Moreen
The Northern Star Andrew O’Brien
The Quiet Joys of Brotherhood Fairport Convention
The River Ran Red Aneleda Falconbridge
The Sad Thistle Aneleda Falconbridge
The Tale of Jaden’s Shield Aneleda Falconbridge
The Tale of Spring Crown Tourney, As46 Aneleda Falconbridge
The Tale of Titus Aneleda Falconbridge
The Three Ravens Ravenscroft
The Veil Garraed Galbraith
The War Song Countess Maguerite (Katheryn Journay)
The Warlord Sits Upon His Throne Aneleda Falconbridge
There Was a Bard in London Town Aneleda Falconbridge & co.
This Endris’ Night I Saw a Sight c. 1475
This Worldes Joie middle English circa 1300, Aneleda Falconbridge tune
traditionalitional Irish Love Song (He Died, He Died, He Died) Aneleda Falconbridge
True Love’s Kiss Aneleda Falconbridge
Twa Corbies traditional
Unrequited, Unrequited Aneleda Falconbridge
Vade Mecum Ad Honorum Aneleda Falconbridge & Jean du Montagne
Vivat, the Dream! Warjna Waleska Katzjmjr (Varina Suellen Plonski) 1992
Wait For the War to Be Over Aneleda Falconbridge
Warriors of Endewearde Brian A. Hubbard/Lord Gwillim Kynith
We Be Three Poor Mariners Thomas Ravenscroft, Deuteromelia, 1609
We Wear the Purple and Gold Aneleda Falconbridge
Where the Bard Sings Aneleda Falconbridge
Wind That Shakes the Barley Robert Dwyer Joyce, Ballads of Irish Chivalry,1872
Wir Zogen in Das Feld (German and English) Georg Forster, Fresh teutsche Liedlein 1539-1556
Women of the Northern Army Aneleda Falconbridge
Word Burned Allies Aneleda Falconbridge
Wordles Bliss anon. 1265, after John Fleagle
Worms of the Earth Sir Volodomir Kambionets, OL (Bob Esty) (c)1986
Worms of the Earth (duplication) Sir Volodomir Kambionets, OL (Bob Esty) (c)1986
Þis Feste Is Ine Myne Stomak Aneleda Falconbridge & Yo Gabba Gabba

*The only time she’s been away for a night was after the Yukka Party at Duchy Von Drachenklaue one Pennsic. Billy Fish took good care of her and brought her back to me in the morning. (I was lucky that I brought home my own name that night and he didn’t have to bring that back to Thanet House too. Oi! Good times!)