One Year Later – the trials of organizing the Bardic Champions Tourney of AS46

Below you shall see the letters of organization which passed between Aneleda, King’s Bard of the East, and her King, Gregor, as they planned the Bardic Championship. From these letters it is evident that His Majesty Gregor could have easily taken the path of silver-tongued words rather than silver-hilted swords.

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November 7, AS 46
From the Royal Bards Aneleda and Jean to King Gregor and Queen Kiena

Greetings unto our beloved Majesties!

Jean and I have been going between each other to finesse a format and would like to have your input on our plan for Bardic….

First, we would like to have each competing performer give us a “bardic resume” on an index card, which would list their specialties and experience. It is helpful in selecting good candidates, but also makes the third round really interesting. =)

We know the Laurel meeting must happen, but we would really, really like you to be present for all rounds – for some, this may be the first opportunity that they will have had to perform for the the Presence, and it would be very meaningful for you to be there. We will do what we must to have you for all rounds if we can.

We propose this, knowing that there needs to be a break for Laurel meeting some time during the day:

Round One – A Period piece on a theme appropriate to the Season of Twelfth Night.  This leaves things quite open to interpretation, we feel, as it allows for songs of Christmas, Yule, the end of winter, and also winter in general. This opens many chances for easy selection of period pieces and stories set in period. Roughly half would go to the next round.

Please advise us as to if you would prefer that this round be “strictly” period in style or if it should be “period/SCA appropriate” where, perhaps, someone might write a song about the Lord of Misrule that is modern but talks about a period practice, or theme.  Our own opinions differ on this a little, so we will let you be the tie breaker! (I think the topic is so broad that *anyone* should be able to find *one* piece that fits and is period.)

Round Two – Performer’s Choice. This round allows those who have advanced to choose a piece of their own – one they can really have practiced and know well. It is on no theme, and could be pretty broad. We feel this gives a performer a chance to show off their true gift and talent with a practiced and prepared piece. A minimum of four would advance.

Round Three (final round) – Their Majesty’s Choice. This would be based on something they’ve written on their card, which you would select and request. For example, I wrote that I compose and sing songs that I’ve written myself on many SCA appropriate themes. King Griffith asked for one, and wished it be a sad song. I think Tiberius wrote that he could boast as any Roman could, and was asked to do that. Jean wrote that he could ‘compose a – something- with but 10 minutes notice’ He *meant* something like a sonnet, but their Majesties asked for a song on a period theme – which he wrote – though they gave us all a blessed half an hour before we performed.

We think that also helps assess “think on your footedness”  – I believe that it has been that which has served us both best this year. From our first court with King Lucan calling for his bards to entertain quite out of the blue, we both have committed to be ready at the call of our King and Queen, with *something* entertaining in our pockets. That may not be how others like to play, and we do know some who really want to know they’re to perform in court beforehand, but we have discussed at length that this quality seems important to us in a bardic champion. (You, my beloved King, certainly are to be able to keep ME guessing at a moment’s notice! I dare not slack off with you around!) The third round may be sufficient for that, but it does bear thinking about as the day goes on.

From the final round the Champions are selected, to be announced during Court. Then we’ll be ex-bardic champions, and you’ll have new bards. And we’ll sing a sad song and cry a little. *sigh*

Judging will be Jean and I, for certain, and you may judge the rounds yourself or you can tell us to go find some others to judge, and leave you out of it until the last round. We’ll have scoring sheets, and I have been told by a couple of good former royal bards who are attending and are not competing that they would be willing to judge. You may also want to suggest someone to us who isn’t a bard at all, for a different perspective. Please advise!

We would also like to, at least to a small degree, codify for the Bardic Champions the expectations for the year. We pretty much were given good advice and had a good experience from which to draw, but your input would be very helpful. If there are things YOU think as royals and as people who have participated in many reigns before, that a bardic champion should be prepared for, we’ll add that to our “job description.”

And I mentioned it to His Majesty at Crown, but should you need Additional Bardic Support during your reign, like at Birka or another event when I am present, I remain joyfully at your service. I dare not speak for Jean, but I can’t fathom that he does not feel similarly.

So – that’s what we’ve come up with thus far!

We hope for comment from you on:
Theme / Format / Schedule
Suggestion of judges (yourselves, we pick, or you suggest someone/s)
Thoughts on what you want to see in a bardic champion
Comment on responsibilities of a bardic champion

Thank you both!

Lovingly,
Aneleda

(and by association and conversation, Jean)

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November 8, AS46
From King Gregor to Jeaneleda

The format sounds excellent, but I will review with Her Majesty and get back with confirmation.

We will schedule the Laurel meeting between rounds.

I am now thinking that we will conduct the first several rounds on that day and narrow the field to four. At that point they will have the rest of the reign to impress us with their skill. We will announce the winner just before we step down and they will assume their position then, leaving the current Champions in place until that time.

I love it when a plan comes together.

Gregor

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November 11, AS 46
From Jeaneleda unto King Gregor

Unto our Good and Gracious Majesties do your Bards Aneleda and Jean bear greetings and wishes for your continued prosperity.

We thank you for your consideration and acceptance of the schedule for the East Kingdom Bardic Championship to be held this coming Twelfth Night. Truly, we have felt the day coming with a sorrowful swiftness, and have looked upon it with grief in our hearts. Indeed, to leave the sides of Your Majesties is to leave a place of joy and honor. There is not time enough to satisfy our delight in you, our beloved Monarchs.

We are in no small way flattered by His Majesty’s most cunning suggestion for a final round. Indeed, a quartet of Bards working to impress Your Majesties over as many months would be a thing to behold. And while it would touch us deeply to be with you until the end of your Reign, to surrender our baldrics as we surrender our King and Queen to the populace – we fear it would be simply too much richness for our gentle sensibilities.

To keep you, our treasured Monarchs, to ourselves for so long past our time would be akin to a dragon’s selfish hoarding, and we, being brought up in your own sense of Chivalry and Kindness, would find it against all Eastern hospitality to cling to you when others long to share in your inspiring presence.

For it is a certain thing that King Gregor, fierce on the field and gentle upon the throne, and his Queen Kiena, of sparking eye and merry heart, serve as inspiration not to us alone, but indeed, to others as well – those who would dare to display and humble themselves before you, those who would submit to your challenges for the privilege of serving you as we have had the great honor of doing.

We have spent these many long months tilling the fine and rich Eastern soil, watering it with our sweat and tears, planting seeds of love for song and tale throughout the land, cultivating in the bardic community a passion for the Kingdom, and carefully tending each small shoot we have seen sprout from the earth.  We have toiled long that this crop grow and be pleasingly served before you, and earnestly hope that you will enjoy the fruits of this labor.

Thus we would ask humbly of our gracious Majesties that you consider choosing your Champions upon the Twelfth Night feast, that these new Champions may blossom under your fair warmth. We have served you with great love, and shall continue to serve you as your most loyal subjects. At any time when we are near in your Reign, you need only call on us and we will gladly serve with our voices and instruments, our humor and our affection, our wit and our work.

We beg that you think on the coming day of competition not as the day you would lose your Champions, but as the day that you renew and sustain the Eastern line of Champion Bards who will tend to Your Presence in their own gifted ways, and preserve the History of the Crown and Kingdom through your choosing of them.

Know that our love for you is vast as the sea. We bow to the wisdom of the Eastern Crown.

Your servants,
Lady Aneleda and Captain Jean

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November 11, AS 46
From King Gregor unto the Royal Bards

My Dear Bards,

Your skill and talents are exceeded only by your selflessness and humility.

Your points are well taken but this idea has taken a life of its own. After consultation with Their Royal Highnesses, the newest plan is for there to be two rounds held at 12th night which will narrow the field down to eight. The field of eight will then have several months to travel the kingdom, performing for all Easterners until they perform at Coronation. At Coronation, four will be chosen to continue, two will be the Royal Choices, two will be the populace choices. Those four remaining finalists will then have until Pennsic to compose their Masterpieces, which they will perform at opening ceremonies and the Champions finally chosen.

Your roles, will be to Shepard and nurture this grand competition, making sure that the semi finalists travel and perform for as much of the populace as possible, and to ensure that we, your beloved King and Queen, are constantly surrounded by music as the Royal Court completes its progress. We know that this may seem like a duty somewhat beyond the scope of the original job description, but the duty of a champion is fraught with hardship and difficulties. Rest assured that we would not have chosen a completion on such a grand scale unless we knew that we had champions of the highest caliber, ones that shirk not from any challenge laid before them. Champions that relish the opportunity to push the bardic arts to a grander scale than any before witnessed. It is you, our dear bards, that have inspired us so. It is you, that have allowed us and Their Highnesses to push the boundaries due to your peerless skill, dedication and tenacity. We are indebted to you, great Skalds, for all you have done, and all you will do.

With tearful gratitude,

Gregor

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November 14, AS 46
From Baroness Hedewigis Ockenfüßin, EK Deputy Seneschal, unto King Gregor; cc’d to the Royal Bards

Unto Their Royal Majesties of the East, King Gregor von Heisler and Queen Kiena Stewert, does Baroness Hedewigis Ockenfüßin send greetings.

In response to your query regarding selection and appointment of Your champions, I find the following sections of East Kingdom Law to be applicable.  Specifically:  Section V.B.3.  provides that Your Champion “Will maintain their positions until the next tournament to choose their successors.”

My interpretation of the Law is that the Champions will step down at the Court that determines their successors.  However, Section V.B.2.b. specifies that the duties of the Champions include the provision to “Advise and assist the Crown in the organization of the tournaments to choose their successors.”  This does, indeed, leave the final decision regarding the succession up to the Crown.

In service,
~ Hedewigis
Baroness Hedewigis Ockenfüßin, OP
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November 14, AS 26
King Gregor to Baroness Hedwegis

Hedewigas,

So your interpretation is that we do not need to alter kingdom law in order to proceed with our plan for Bardic Champions. That is good news but I want to make sure that we have this covered before Curia. Philip, could you weigh in on this matter?

Thanks,

Gregor

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November 17, AS46 2:30 pm
From a Bard of Some Renown, unto Aneleda

Hello Aneleda!  I hope you are well!

I’m writing to you hoping that you have some information on the format for the Bardic Champs competition.  Have the rules been decided on yet?  I’m not certain if I’ll be competing, but at least some of my apprentices will be.  We’d like to be preparing pieces but aren’t sure what would be best to work on.

I can’t believe it’s only two months away!  Are you going to be able to attend, or is it too far away from you?

Looking forward to hearing from you,

A Bard of Some Renown

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November 17, AS 46 3:30 pm
From Aneleda unto a clutch of Eastern bards

I am pretty well, way up here. I sometimes feel drastically removed from my more southerly bardic friends, which I lament, but then I think of those even farther north than I, and count my blessings! I will be attending Bardic Championship, as will Jean, as it’s part of our job (and our delight!) as the current champions to assist in the competition to determine our successors. However, I’ll agree it’s a howling bear of a trip, and we’re hoping that Father January is kind to us when he shakes out the pillows that weekend! So set your mind on fair weather for us if you can!

The competition format has been submitted to their Majesties for consideration, has seen revision at the request of His Majesty, and we have submitted a revised format to The Crown. His Majesty has been expressing his desires and we are working to accommodate them. We hope to be able to make a formal announcement following the Thanksgiving holiday at the very latest.

I am comfortable however telling you that we fully expect the January 7th event to involve the requirement of one period piece on the theme (so they’ll have to wait for that) but there will be a category of “performer’s choice” (outside of the event theme) which ought to be SCA-appropriate pieces of under 10 minutes, for which anyone could start preparing.

I agree that I look in amazement myself that it approaches so quickly! It has been an amazing and wonderful year, full of events beyond my expectations, delights, surprises, and entertaining challenges and I am confident that it will remain so until the very last moment.

Please do encourage as many as you can to participate! (And you!!) I am sure we agree that even a relative novice performer can benefit from the opportunity to perform in a formal setting, and we have been given assurance that Their Majesties will attend each round, and so it also is a lovely opportunity to impress the Presence with gifts of song and story. Their Majesties Gregor and Kiena have a true appreciation of music and the bard’s arts, and Their Highnesses come from a household which holds such things in high esteem as well, so I truly cannot suggest strongly enough how good it would be to have many, many display their talents!

I will send you news as soon as the plans for the championship are confirmed by Their Majesties, I promise!

Thank you!

Affectionately,

Aneleda

ps) How many from your neck o’th woods are considering entering? It would be helpful to know that a little in advance if we could. We’ve been informally inquiring so we can sort of guesstimate the first round length possibilities. Thank you!  – a

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November 17, AS 46 9:40 pm
From King Gregor unto Jeaneleda

My dear Bards,

I am overjoyed to inform you that the competition for the honor of becoming King and Queens bardic champions is reaching a level unprecedented in the history of not only our kingdom, but in the society. It seems that my idea is really picking up steam in other kingdoms. His Highness has been reaching out to his counterparts for potential allies as well as to HRH Middle for preliminary negotiations and during conversation has mentioned our idea of having the finals held at opening ceremonies. The Princes and Princesses of the known world have latched onto this idea and have taken it even further. They are proposing a Grand Bardic Procession at Pennsic. The idea would be that the Champions of each kingdom would be placed in pools, and these bardic pools would travel from one Royal encampment to another at appointed times, and hold Bardic circles. During the course of the week (Sunday thru Thursday), each pool would have visited each Royal encampment and performed for all the Royalty at Pennsic. Friday, the Royals will have voted and selected the finalists for the grand championship. The finalists (number undetermined as of yet) would then compete Friday evening at the castle. As you may be aware, Mistress Jovonne’s husband, Bob, stages outdoor events for a living and he has graciously volunteered to wire the castle for sound and provide lighting (tastefully, of course). Therefore, the known world will be invited to a Grand Bardic performance by the finest Bards in the known world. His Highness is under negotiations now to try to get this competition as a war point.

Your place in all this, as outgoing champions of the hosting kingdom, is to arrange the schedules of all the Royal encampments, to develop the pools and arrange their schedules so that each pool performs at each encampment. You are to capture the votes from all the Royals and to tally them to determine the finalists. In addition, you are to follow the finalists from the East as they make their grand bardic progress, support them and provide additional instrumentation and act as back up singers. (doo-wops, etc…). Additionally, you will MC the final competition at the castle on Friday night and fill any gaps with your fabulous talents. You will also formally relinquish your positions as Kings and Queens champions at the end of the final performance, just before the grand champions are announced. We believe that a farewell performance from the two of you would be most welcome but we will leave that to your discretion. Following the competition, you are to personally escort each Royal back to their encampment, singing songs for their enjoyment on the way. You will then return to the castle, help Bob take down the lighting and sound equipment, pick up any garbage left by the crowd and mow the lawn by candlelight (if the moon isn’t bright enough that night). At first light, you are to check the castle for any structural damage, shore up any weak spots, mix up some period mortar and fill all the gaps using period implements handmade for this purpose. You will be allowed to gain assistance in constructing the tools required to effect the repairs. Once that is done, you will be graciously allowed 2.5 hours of sleep before reporting to EK Royal to tear down the walls and the EK gate. Once the posts, walls and pavillion are safely transported and locked away in the EK trailer, you may report to ICOD encampment and kick me square in the jimmies while constructing an appropriate limerick.

In officio pro Oriente,

Gregor Rex

P.S. If this plan seems a bit much, we can always go back to just holding the entire competition at 12th night. What are your thoughts?

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November 17, AS 46 11:58 pm
Aneleda to King Gregor

My beloved King,

Ars gratia artis!

A Bardic War Point is an excellent legacy for you and your Heirs to establish. You shall be blessed by bards for all your days for such a noble thing!

I am friends with some of the Midrealm bards, after last year’s East Mid Bardic, and indeed, am touched that the Kingdom could be brought together in song and story – a peace in the midst of war, championed by Art herself!
 
Also, Vey does lights and sound, as do several of the Unbelted Champions; I am confident that Bob need not work alone. I believe for such a spectacle we could easily recruit, though they might need to take time away from the army. Baron Angus Pembridge and DZ will likely aid in the castle rebuild. I believe that I could cajole the Northern Army to assist in cleanup and the tear down of EK royal. Jean’s booming voice is ideal for MC of the Grand Exhibition! At last, the Known World, gathered together in song! Ah! To bring together army and hammer and nail and art! (As for the mowing, we shall need to bring some sheep, for the mowers shall interrupt the melodious drumming of the Pennsic night….)

A Grand Idea, your Majesty!

To clarify: when you say the champions shall be placed in pools, does this mean we shall beat the Pennsic heat in magnificent Roman pools on chariots or litters, carried forth by the great warriors of the Kingdoms from encampment to encampment where we, like merfolk or sirens shall sing?

Because if so, I must immediately resign as your Champion, that I might again compete.

Two other questions: Do I get to list who pulls my pool around the Royal Encampments, and may Kiena join me in the Eastern Pool?

Finally, I shall sit with you and we shall make a budget during dinner at Tir Mara, perhaps immediately after I sing this to you, an Ode, which I have writ for you on this joyful and exciting occasion:

A Song for King Gregor’s Private Ears
(to the tune of Barrett’s Privateers)
by Aneleda

Oh, the year was AS 46,
How we long for Malaweardia….
A letter of marque came from the king,
To test the bardic champions’ spleen…

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

Oh Jeaneleda cried the town,
How we long for Malaweardia….
For all the brave performers who
would make for them a competitive crew.

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

The Champion list was a wearying sight
How we long for Malaweardia….
We’d twenty skalds put in their tags
And eight Arlecchinos dressed in rags….

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

On the King’s picked date we brought them in
How we long for Malaweardia….
We had 91 performers for the day
Keening like madmen all the way

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

On the 96th day we met again,
How we long for Malaweardia….
With Coronation now in sight
And a field of eight prepared to write…

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

They vied each for the cloth of gold,
How we long for Malaweardia….
There were fine Shakespearian turns of phrase
But to listen to them all took up two whole days

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

Then at length we stood four people away,
How we long for Malaweardia….
Cornamuse and pipes made and awful din
As we waited and longed for someone to win…

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

Four masterpieces were applied,
How we long for Malaweardia….
There were Roman boasts, and Saxon begs
And a tall Tudor bass who gave us jellied legs,

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

So here we’ve lain for over a year
How we long for Malaweardia….
It’s been sixteen months since that fated day
And we just got new Champions yesterday…

Ah zounds and all!
I was told we’d cruise the East in baldrics of gold
We’d sing our songs for all ears!
Now we’re exhausted bards (though in pretty good cheer)
Six months past our bardic year….

Yes we’re retired bards and in pretty good cheer…
(Now where’s my King’s posterior?)

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LATER in Tir Mara after Thanksgiving….

Aneleda is chatting with Queen Kiena in the royal room, as she laughs and muses about their trick on their bards, and she recounted this conversation, which the King and she had while reading the letters back and forth, in utter enjoyment of the whole thing. The exchange of which went something like this:

(laughter at the merry expense of their stressed out and beloved champions)
Gregor: Wait. I just realized something…
Kiena: What is that dear?
Gregor: I am only King for six months…………But they are bards – – – – forever. (pause)
Kiena: You’re only just realizing this now?
Gregor: Um, yes.
Kiena: And you didn’t think of that when you started all this, dear?
Gregor: Uh, no.

One can imagine the Queen’s expression as she tells this tale, especially the last bit, with her brows raised in amusement.

Of course, a nearby herald who overheard the tale quipped at its finish, “do not piss off the bard, for your name scans well to greensleeves….” to which I laughed *just* a little.

However, the rules, ALL the rules, to the Tournament that winter were, of course, limericks.

Crown Tourney List Rules List – in Gregorian Form

When the King calls, one must be always ready with an answer.

I had long ago decided, even before becoming the King’s champion, that I would be ready any time that I was asked to perform. (Thank you Coxcomb Academy!) That I would always have something up my sleeve, and that I would not refuse an opportunity or request when given one, no matter how off-guard, awkward, or surprised I might be. I have had the dubious excellent fortune to have served fine Kings who have given me ample opportunity to test my own promise to myself.

King Lucan called on me to perform without notice, quite regularly, starting with his Coronation, and so I always for him had something at the ready, or at least a thought in mind should he call upon me to serve. King Gregor has proven a canny and witty challenger and has nearly got me off my guard, especially at the fall Crown Tournament, when the above video was recorded, when he asked, in the middle of the reading of the list rules, that I sing them instead.

I have always thought that it would be a hoot to read the list rules, as a personal challenge, to see if people would listen to them, for they are indeed rote and dry.  So someone put a bug in the Brigantia Herald’s ear and I got to read them! King Gregor loomed over my shoulder as I read the first rule, and then stopped me, and, to my astonishment, asked that I sing them instead. I thought I’d had an auditory hallucination, but no, he had indeed asked me to sing them. Thankfully I didn’t stand there as slack-jawed as I felt apparently, and I replied, “Ah, well then, Your Majesty, would Gregorian suffice?” “Yes, that will do,” said His Majesty.

And so, deeply thankful for all those years as church cantor, I sang the rules of the list (with a few theatrics added). I was grateful to see that the lovely Mistress Kayeligh McWhyte had taken video of the thing as it happened, because I know it happened so quickly I scarcely remembered it. The choral “Amen” at the end just sealed it perfectly.

It will remain one of the most memorable performances I have ever had in the SCA, and the laughter of the crowd will be carried with me for many, many of the darkening days of winter. To add to the sweetness of this, Dutchess Aikaterine and Countess Althea gave me their token at the court, when the Ladies of the Rose recognize deeds they witnessed during the day. They are most often given to combatants, and so it was a great surprise to hear Althea’s musical voice speaking of the start of the day and the entertainment and cheer which the list rules brought. I am incredibly touched by that tiny golden rose, and grateful to King Gregor for giving me such an opportunity to entertain and amuse.

Below are the rules of the list, which were read and sung at Crown. I should have quizzed people later to see if they remembered them! For some reason, “No projectile weapons” is the one that sticks in my mind.

The Rules of the Lists are reprinted from Appendix B of the Corpora of the SCA.

1. Each fighter, recognizing the possibilities of physical injury to him or herself in such combat, shall assume unto himself or herself all risk and liability for harm suffered by means of such combat. No fighter shall engage in combat unless and until he or she has inspected the field of combat and satisfied himself or herself that it is suitable for combat. Other participants shall likewise recognize the risks involved in their presence on or near the field of combat, and shall assume unto themselves the liabilities thereof.

2. No person shall participate in Combat-Related Activities (including armored combat, period fencing, combat archery, scouting, and banner bearing in combat) outside of formal training sessions unless he or she shall have been properly authorized under Society and Kingdom procedures.

3. All combatants must be presented to, and be acceptable to, the Sovereign or his or her representative.

4. All combatants shall adhere to the appropriate armor and weapons standards of the Society, and to any additional standards of the Kingdom in which the event takes place. The Sovereign may waive the additional Kingdom standards.

5. The Sovereign or the Marshallate may bar any weapon or armor from use upon the field of combat. Should a warranted Marshal bar any weapon or armor, an appeal may be made to the Sovereign to allow the weapon or armor.

6. Combatants shall behave in a knightly and chivalrous manner, and shall fight according to the appropriate Society and Kingdom Conventions of Combat.

7. No one may be required to participate in Combat-Related Activities. Any combatant may, without dishonor or penalty, reject any challenge without specifying a reason. A fight in a tournament lists is not to be considered a challenge, and therefore may not be declined or rejected without forfeiting the bout.

8. Fighting with real weapons, whether fast or slow, is strictly forbidden at any Society event. This rule does not consider approved weaponry which meets the Society and Kingdom standards for traditional Society combat and/or Society period rapier combat, used in the context of mutual sport, to be real weaponry.

9. No projectile weapons shall be allowed and no weapons shall be thrown within the Lists of a tournament. The use of approved projectile weapons for melee, war, or combat archery shall conform to the appropriate Society and Kingdom Conventions of Combat.

Thus ends the Rules of the Lists. Amen.

Sing softly and carry a big stick…

Aneleda is a delicate flower of the Northern Army, posing in her SCA armor kit.
Another Delicate Flower of the Northern Army. And yes, that IS my authorization card in a plastic holder around my neck. And yes, I am a dork.

The Maiden Takes the Spear…Or is it the Nun Takes the Veil?  I can never remember…

Aneleda works with Thorson on her spear work
Aneleda shoots a bit high, and learns that Count Thorson obviously isn't Count because he was easy to hit...

But nuns and maidens aside, at the Great Northeastern War, Aneleda authorized in spear, and got a good run with Count Thorson in the process. A word to the wise – he is a) tall and b) hard to hit and c) not a good person to choose to start a spear duel with, if you’re ever thinking of throwing that gauntlet down.

The goal of the fight ultimately was for art, however, because the the King’s Champion really, really wanted to be the War Bard of Pennsic 40.

I think ultimately I can do more damage to the foe with my singing than with this spear, but we’ll see if the two of them can be a deadly motivational combination.

Since King Lucan offered an opportunity for his war bard to carry the Eastern Banner into battle, Aneleda has been excited and her modern counterpart has been busily getting kitted up, getting armor ready, trying to get more exercise and learning how to wield a weapon that’s a huge stick.

Aneleda in armor does not resemble Jean d'Arc.
Alas, I do not resemble Jean d'Arc, but in my own mind, apparently.

Because really, if you’re carrying a big stick into a battle (even if it IS the Eastern Banner), shouldn’t you be able to hit someone with it if you need to?

Excelsior!!

 

 

 

Photos courtesy of Syr Cedric of Thanet and Mistress Mira Fennor of Argyll.

 

Feeling Betta – Commedia dell Arte outline

This commedia script is my first and only to date, it was rehearsed to great amusement by Gwillim as Arlecchino, Godric as Pantalone, Margaret as Betta and myself as Dottore and the Apothecary.  We never performed it, but maybe someday it will see the stage!

Cast:
Pantalone
Betta (la servetta)
Alrecchino
Dottore
an Apothecary
Betta gives a speech to the audience about a few things: once was wealthy – but no more – she’s broke; her mother is ill and dying; she needs money; she will marry Pantalone for the money, the only other bonus is that Arlecchino, her secret love, will be near her if she marries the old man.

Pantalone enters and attempts to woo Betta from one knee – he falls over while trying to woo her and can’t get up

Betta  tells Pantalone that she has no use for a love who “can’t get up” to see her and storms off the stage

Pantalone, fallen down and unable to right himself, calls for Arlecchino who tried to help right him.

Dottore enters and seeing Arlecchino helping Pantalone up, surmises that that he has gallstones, is pregnant or must be dead.

Pantalone tells Dottore that the only problem is that he can’t get up to see Betta, who he is trying to woo.

Pantalone is sent away, assured that Dottore will have a solution.  Arlecchino is leftbehind to get orders from Dottore.

Dottore gives Arlecchino a list for wooing a lady – bread, wine, cheese and a prescription for “Consummation Powder” so he can get up to see Betta and sends him to the apothecary.  Dottore exits.

Arlecchino walks repeating his list, salivating over the food items and forgetting what kind of Powder (Consummation, …etc arriving at Constipation.)  He gets the food and the Constipation Powder for his master.

The Apothecary says that he hopes that Pantalone will soon be feeling Betta.
Arlecchino returns to Pantalone, repeating his list in reverse until he arrives again at Consummation Powder.

Arlecchino gives all the stuff to Pantalone, who enters Betta’s room and sets the stage for seduction.

Pantalone takes all of the powder.

Betta enters.  Pantalone begins to woo her – just as he gets close to her….
Arlecchino knocks on the room door, Pantalone answers (lazzo of the door locks / trip wire) to ask Pantalone how it is going; Betta leaves the room.

Pantalone, furious at the interruption, sends Arlecchino to go talk to someone in the street!  Arlecchino exits.

Pantalone resumes his seduction of Betta, who is disappointed that she missed Arlecchino.

Pantalone is enamored now – he chases Betta, catches her and there is a sudden loud rumbling – he looks astonished and agonized all at once he excuses himself loudly to the chamber pot.  Loud farting & other grotesque noises heard from off stage.

Betta leaves for another room – to get some air – in disgust.

Arlecchino goes to the street and talks to the audience about Betta & the mountain of food (lazzo of the fly or the eating of the hand)

Dottore enters in a temper – he has been to the apothecary and found out that Arlecchino gave Pantalone the wrong powder!  Dottore gives Arlecchino the correct powder and threatens to beat him with his own stick.

Arlecchino runs away, swearing that he will return after this errand!

Betta and Pantalone re-enter Betta’s room – they are just about getting amorous when Pantalone’s stomach gives another fierce rumble – this time he knows what is about to happen and he excuses himself loudly to the chamber pot.  Loud farting & other grotesque noises heard from off stage.

Arlecchino goes to Betta’s room and pounds on the door. (Lazzo of the door locks, again)

Betta allows Arlecchino in and Arlecchino blurts his story out and displays the correct powder.

Betta tells him that she will make it all Betta…and as Arlecchino, laments about the powder and all the food going to waste she very obviously covers the bread with the Consummation Powder.

Betta feigning innocence and sorrow tells Arlecchino that he can have the food, as it seems that his master won’t be needing it, but the he should go and eat it there in the back room.

Arlecchino looks delighted and bounds out merrily chewing on the bread while singing Betta’s praises, and the bread’s praises, for feeding him.

Betta begins to exit the same way as Arlecchino, but before leaving, turns to the audience and gives them a winning smile.  Arlecchino says that this bread is really something – he’s never felt this way about bread! (“Well, there was that nice rosemary olive bagette once, but that was ages ago…”)

A last loud fart is heard offstage.

The End

Museum Display

Part of a display case of misc. items

Our small local museum offered us space to have a display of SCA-made goods, which we eagerly assembled!  Below are some of the photos of the exhibits.  We included a stack of business cards, and while we didn’t get too many new member interest hits, we did make a very good local impression, showing how gifted many local artists and recreators are.

 

spice display
Period spices, many strange to the modern eye and palate.
museum display SCA
Part of a case at the museum.
Museum display SCA
Part of a display case with scrolls and other work displayed.
Clothing on display, dress and man's costume
A wool and linen dress and a 15th c. man's costume on display.
Part of a display case of misc. items
Weaving, nalbinding, spices and other items in a display case.
SCA items in a display case.
Leg wraps, a gemshorn, a doll based on the Bayeux Tapestry, a turned bowl and nalbinding in a display case.

 

Items by Mathias Fletcher, Lady Petra von Mumph, Master Mathias Plattninson, Master Cedric of Thanet, Mistress Mira Finovarr of Argyl, Lord Gwilim Kynith, Lady Aneleda Falconbridge and Lady Camille Dejardins were in the display, as were items on loan from Lady Bryn Millar, and Lord Griffyth Abernathy.