{"id":1720,"date":"2016-03-01T19:17:48","date_gmt":"2016-03-01T19:17:48","guid":{"rendered":"http:\/\/mbouchard.com\/aneleda\/?p=1720"},"modified":"2016-03-01T19:17:48","modified_gmt":"2016-03-01T19:17:48","slug":"contents-of-my-bard-book","status":"publish","type":"post","link":"https:\/\/mbouchard.com\/aneleda\/contents-of-my-bard-book","title":{"rendered":"Contents of My Bard Book"},"content":{"rendered":"

Because I’ve been asked more than once about the contents of my bard book, this is what’s in the latest incarnation. This is what’s in the book I carry with me, not my books at home or binders. I wear this volume (well, one very similar to this. This includes pages I just have sticking into the one I wear, which is leather with several signatures sewn in, each representing new additions. It’s a bit haphazard, but I seldom keep it out of my reach.*<\/p>\n

It’s often worn on my belt, and I like having\u00a0something\u00a0for pretty nearly every occasion at my easy reach, should I be asked. It has served me very well.\u00a0<\/strong><\/p>\n\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
A Blacksmith Courted Me<\/td>\ntraditional<\/td>\n<\/tr>\n
A North Country Lass or Northern Lasses Lamentation<\/td>\nBroadside, Northern Lasses lamentation, \/ OR \/ the unhappy Maids Misfortune<\/td>\n<\/tr>\n
A Song For King Gregor\u2019s Private Ears<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
A Young and Henpecked Husband\u2019s Complaint<\/td>\nanon c. 15c.<\/td>\n<\/tr>\n
All in a Garden Green<\/td>\nJohn Playford (1623-1686)<\/td>\n<\/tr>\n
Alysoun<\/td>\nanon middle English (1100-1250?)<\/td>\n<\/tr>\n
Amarilli Mia Bella<\/td>\nGiulio Caccini (1546-1618)<\/td>\n<\/tr>\n
An Ode to Boorish Critics Everywhere<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Angus, Build a House For Me<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Anthem For Malewerdia<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
As the Chain Holds Many Links<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Ave Tigris Regia<\/td>\nText by Judith FitzHenry, Fiana of Clare, & Alexandre d’Avigne, Melody 13th Cent. anon<\/td>\n<\/tr>\n
Beloved<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Blou Northerne Wynd!<\/td>\nanon. c. 1300 (Arthur Quiller-Couch, ed. 1919. the Oxford Book of English Verse: 1250\u20131900)<\/td>\n<\/tr>\n
Bonny Portmore<\/td>\ntraditional<\/td>\n<\/tr>\n
Bow to the Crown Lyrics<\/td>\nHeather Dale<\/td>\n<\/tr>\n
Broom of the Cowdenknowes<\/td>\ntraditional Scottish, Child #217, earliest pub 1651<\/td>\n<\/tr>\n
By the Weight of the Chain<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Caledonia<\/td>\nDougie MacLean<\/td>\n<\/tr>\n
Called the Captain -A Song For Cedric of Armorica and the Eastern Unbelted Champions of Pennsic Xl.<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Can She Excuse My Wrongs<\/td>\nJohn Dowland, No V from First Booke of Songs or Ayres (1597<\/td>\n<\/tr>\n
Carmen Orientalis<\/td>\nText by Wendy Gale (Sabine de Kerbriant). Medody: In Taberna from the Carmina Burana, 13th Century<\/td>\n<\/tr>\n
Come Again Sweet Love\u2026the Parental Version<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Come Again, Sweet Love Doth Now Invite<\/td>\nJohn Dowland, the First Booke of Songs or Ayres (1597), No. 17<\/td>\n<\/tr>\n
Coronation Feast From Hell<\/td>\nEmil Allzuwissender<\/td>\n<\/tr>\n
Corpus Christi Carol<\/td>\nanon, middle English<\/td>\n<\/tr>\n
Cruel<\/td>\nKate Rusby<\/td>\n<\/tr>\n
Dance the War Away<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Death and the Maid<\/td>\ntradtional, tune from 1729 is Broadside 107, late 16th century<\/td>\n<\/tr>\n
Death Holds a Rapier<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Ever Comes the Sun<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Every Man May Be a King<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Excelsior<\/td>\nSir Diomedes Sebastianus<\/td>\n<\/tr>\n
Fair Lady Atlantia (Lady by the Sea)<\/td>\nMaster Efenwealt Whystle (Scott Vaughn)<\/td>\n<\/tr>\n
Farewell My Bonny<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Fighters of the Center of the Realm<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Fill the Cup Oh Merry Barmaid<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Fine Knacks For Ladies<\/td>\nJohn Dowland, No. XII from Second Book of Songs or Ayres (1600)<\/td>\n<\/tr>\n
Fire If You Expect Admiring<\/td>\nThomas Campion, 1601<\/td>\n<\/tr>\n
Flow, My Beers<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Flow, My Tears<\/td>\nJohn Dowland, 1600 in The Second Book of Songes (No.2)<\/td>\n<\/tr>\n
Fly on Whitened Wing, a Poem For Dziuginte Stickbait<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Follow Me<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
For Master Kraken Gnashbone, Fifteenth Tyger of the East<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Forsaking All Others<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Four Green Fields<\/td>\nTommy Makem, 1967<\/td>\n<\/tr>\n
Gaudete, Gaudate<\/td>\n16th century, possibly earlier<\/td>\n<\/tr>\n
Good People<\/td>\nGallowglass<\/td>\n<\/tr>\n
Green Groweth the Holly<\/td>\nHenry VIII, d.1547<\/td>\n<\/tr>\n
Hardian\u2019s Town \/ to the Hadchester Coast You Should Go<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Harvest<\/td>\nLisa Theriot<\/td>\n<\/tr>\n
Health to the Company<\/td>\ntraditional<\/td>\n<\/tr>\n
Here Comes the East<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Hold Fast Me Boys<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Hweat! Celowyn<\/td>\nAneleda Falconbridge, filk Neil Diamond<\/td>\n<\/tr>\n
I Am My Mother\u2019s Other Daughter<\/td>\nKudrun Pilegrim<\/td>\n<\/tr>\n
I Am of the North<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
I Care Not For These Ladies<\/td>\nThomas Campion, #3 in a Book of Ayres for the Lute, Bass Viol and Voice 1601<\/td>\n<\/tr>\n
I Fight For You<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
I Have a Gentle Cock<\/td>\nanon 15th c. Sloane<\/td>\n<\/tr>\n
I Have a Yong Suster<\/td>\nanon, based on John Fleagle<\/td>\n<\/tr>\n
I Know What Summer\u2019s For<\/td>\nJean du Montagne<\/td>\n<\/tr>\n
If I Die An Old Maid in a Garret<\/td>\nClancy Brothers and Tommy Makem<\/td>\n<\/tr>\n
If I Were a Black Bird<\/td>\ntraditional<\/td>\n<\/tr>\n
If I Were a Poet<\/td>\nKermit the Frog, Music by Stephen Lawrence \/ Lyrics by David Axlerod, 1982<\/td>\n<\/tr>\n
Introverted Spouse<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
I\u2019Ve Gone to the Tourney on a Horse With No Name<\/td>\nAneleda Falconbridge, filk America<\/td>\n<\/tr>\n
Jack and Joan<\/td>\nThomas Campion, the First Booke of Ayres. Contayning Divine and Morall Songs (about 1613<\/td>\n<\/tr>\n
Joan\u2019s Ale<\/td>\nbroadside, c.1594<\/td>\n<\/tr>\n
Kingmaker and Valkyrie<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Ladies Revolt of AS 44 Written on the Occasion of Her Majesty Marguerite’s First Court<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Lady Isobel and the Elf-Knight<\/td>\nLisa Theriot<\/td>\n<\/tr>\n
Leaves As Red As Love<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Lifeblood, a Viking Drinking Song<\/td>\nMistress Wyndrith Berginsdottir<\/td>\n<\/tr>\n
Love Fights the Good Fight<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Love Song For the Poetically Challenged<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Maiden in the Moor<\/td>\nanon, middle English, based on John Fleagle<\/td>\n<\/tr>\n
Maleweardian Anthem<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Martin Said to His Man (Fie, Man Fie!)-<\/td>\nThomas Ravenscroft, Deuteromelia, 1609<\/td>\n<\/tr>\n
Merie It Is<\/td>\nmiddle English, Theodore Silverstein \u201cEnglish Lyrics Before 1500\u201d (1989)<\/td>\n<\/tr>\n
Monument<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
My Heart Is offered Still to You<\/td>\nOrlando di Lasso, 1560<\/td>\n<\/tr>\n
My Lemman Doth Give Me Joy!<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
My Mother\u2019s Savage Daughter<\/td>\nMistress Wyndrith Berginsdottir<\/td>\n<\/tr>\n
Neuer Ic the Ne Yeve Away<\/td>\nAneleda Falconbridge & Sir Richard Rollings<\/td>\n<\/tr>\n
No Gentle Lamenting, a Lullaby For Daughters<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Northern Love<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Northguard!<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Now Springes the Spray \u2013 lyric anon. c.1300, tune<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Ode to Endewearde<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Ode to the Eastern Army<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Oh Rise Up My King<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
On Christmas Day<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
On Courtly Love by a Modern Troubador<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
On Recognitions<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
One of Us<\/td>\nHeather Dale<\/td>\n<\/tr>\n
Only<\/td>\nThl Lucia Elena Braganza<\/td>\n<\/tr>\n
Over My Mountain<\/td>\nDougie MacLean<\/td>\n<\/tr>\n
O\u2019er the Hills (and follow Kenric)<\/td>\nAneleda Falconbridge, filk traditional<\/td>\n<\/tr>\n
Parting Glass<\/td>\ntraditional<\/td>\n<\/tr>\n
Passetyme With Good Companye<\/td>\nHenry VIII, d.1547<\/td>\n<\/tr>\n
Please to See the King<\/td>\ntraditional (popularized by Martin Carthy)<\/td>\n<\/tr>\n
Raise Up the Sword, a Poem For Julien<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Reynardine<\/td>\ntraditional, Fairport Convention<\/td>\n<\/tr>\n
River-Bone Warrior, a Song For Talen<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Robins m\u2019Aime<\/td>\nAdam de la Halle ca. 1284<\/td>\n<\/tr>\n
Sailor’s Vigil<\/td>\nAndrew O\u2019Brien<\/td>\n<\/tr>\n
Sainte Nicholaes<\/td>\nEnglish Mystic, Godric of Yorkshire, c.1065-1170<\/td>\n<\/tr>\n
Saturday Night Up in Asgard<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Savage Father<\/td>\nby Master Fiskr Hamondsen<\/td>\n<\/tr>\n
See the Fires of Endewearde<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Sellinger\u2019s Round\/Under the Greenwood Tree<\/td>\nWilliam Byrd, 1591<\/td>\n<\/tr>\n
Shield My Kinsmen<\/td>\nMistress Windryth Berginsottir<\/td>\n<\/tr>\n
Song For the Bare Blade Tavern Brawl<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Song of the Shieldwall<\/td>\nWords: Malkin Gray (Debra Doyle) Tune:Peregrynne Windrider (Melissa Williamson)<\/td>\n<\/tr>\n
Stalk Like the Tyger<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Stands a Warrior<\/td>\nBaroness Emma MacMinn<\/td>\n<\/tr>\n
Stone Soup<\/td>\nHealther Dale<\/td>\n<\/tr>\n
Sweeting Carolyne<\/td>\nAneleda Falconbridge, filk Neil Diamond<\/td>\n<\/tr>\n
The Book of Love<\/td>\nMagnetic Fields<\/td>\n<\/tr>\n
The Brigantia\u2019s Lament<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Broken Towers<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Burning of Auchindoun<\/td>\ntraditional<\/td>\n<\/tr>\n
The Call of the Drum<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Cardinal Ordained, For Master Julien De Lapointe<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Clean Song<\/td>\ntraditional shanty<\/td>\n<\/tr>\n
The Compleynt of Anelida the Quene Upon Fals Arcite<\/td>\nChaucer, c. 1340\u20131400<\/td>\n<\/tr>\n
The Drum and the Sword (Mylisant\u2019s Song)<\/td>\nJean du Montagne<\/td>\n<\/tr>\n
The Eastern Tygers Roar<\/td>\nAife ingen Chonchobair in Derthaige<\/td>\n<\/tr>\n
The Favored One<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Fight<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Good Man<\/td>\ntraditional<\/td>\n<\/tr>\n
The Hern<\/td>\nanon, based on John Fleagle<\/td>\n<\/tr>\n
The Keeper\/Among the Leaves So Green-O<\/td>\ncollected by Cecil Sharp 1909, traditional<\/td>\n<\/tr>\n
The King\u2019s Man<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Lady Reynardyne<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Links of Virtue<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Love Story of Turi Mackinnon and His Marguerite<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The March Home<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Minstrel and the King<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Minstrel Boy<\/td>\nThomas Moore (1779\u20131852), set to Irish air, The Moreen<\/td>\n<\/tr>\n
The Northern Star<\/td>\nAndrew O\u2019Brien<\/td>\n<\/tr>\n
The Quiet Joys of Brotherhood<\/td>\nFairport Convention<\/td>\n<\/tr>\n
The River Ran Red<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Sad Thistle<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Tale of Jaden’s Shield<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Tale of Spring Crown Tourney, As46<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Tale of Titus<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
The Three Ravens<\/td>\nRavenscroft<\/td>\n<\/tr>\n
The Veil<\/td>\nGarraed Galbraith<\/td>\n<\/tr>\n
The War Song<\/td>\nCountess Maguerite (Katheryn Journay)<\/td>\n<\/tr>\n
The Warlord Sits Upon His Throne<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
There Was a Bard in London Town<\/td>\nAneleda Falconbridge & co.<\/td>\n<\/tr>\n
This Endris\u2019 Night I Saw a Sight<\/td>\nc. 1475<\/td>\n<\/tr>\n
This Worldes Joie<\/td>\nmiddle English circa 1300, Aneleda Falconbridge tune<\/td>\n<\/tr>\n
traditionalitional Irish Love Song (He Died, He Died, He Died)<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
True Love\u2019s Kiss<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Twa Corbies<\/td>\ntraditional<\/td>\n<\/tr>\n
Unrequited, Unrequited<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Vade Mecum Ad Honorum<\/td>\nAneleda Falconbridge & Jean du Montagne<\/td>\n<\/tr>\n
Vivat, the Dream!<\/td>\nWarjna Waleska Katzjmjr (Varina Suellen Plonski) 1992<\/td>\n<\/tr>\n
Wait For the War to Be Over<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Warriors of Endewearde<\/td>\nBrian A. Hubbard\/Lord Gwillim Kynith<\/td>\n<\/tr>\n
We Be Three Poor Mariners<\/td>\nThomas Ravenscroft, Deuteromelia, 1609<\/td>\n<\/tr>\n
We Wear the Purple and Gold<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Where the Bard Sings<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Wind That Shakes the Barley<\/td>\nRobert Dwyer Joyce, Ballads of Irish Chivalry,1872<\/td>\n<\/tr>\n
Wir Zogen in Das Feld (German and English)<\/td>\nGeorg Forster, Fresh teutsche Liedlein 1539-1556<\/td>\n<\/tr>\n
Women of the Northern Army<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Word Burned Allies<\/td>\nAneleda Falconbridge<\/td>\n<\/tr>\n
Wordles Bliss<\/td>\nanon. 1265, after John Fleagle<\/td>\n<\/tr>\n
Worms of the Earth<\/td>\nSir Volodomir Kambionets, OL (Bob Esty) (c)1986<\/td>\n<\/tr>\n
Worms of the Earth (duplication)<\/td>\nSir Volodomir Kambionets, OL (Bob Esty) (c)1986<\/td>\n<\/tr>\n
\u00deis Feste Is Ine Myne Stomak<\/td>\nAneleda Falconbridge & Yo Gabba Gabba<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

*The only time she’s been away for a night was after the Yukka Party at Duchy Von Drachenklaue one Pennsic. Billy Fish took good care of her and brought her back to me in the morning. (I was lucky that I brought home my own name that night and he didn’t have to bring that back to Thanet House too. Oi! Good times!)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Because I’ve been asked more than once about the contents of my bard book, this is what’s in the latest incarnation. This is what’s in the book I carry with me, not my books at home or binders. I wear this volume (well, one very similar to this. This includes pages I just have sticking … <\/p>\n

Continue reading “Contents of My Bard Book”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1720","post","type-post","status-publish","format-standard","hentry","category-miscellany"],"yoast_head":"\nContents of My Bard Book - Aneleda Falconbridge<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/mbouchard.com\/aneleda\/contents-of-my-bard-book\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Contents of My Bard Book - Aneleda Falconbridge\" \/>\n<meta property=\"og:description\" content=\"Because I’ve been asked more than once about the contents of my bard book, this is what’s in the latest incarnation. 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