Painting glass in the early European style -Venice

I recently was thinking of stuff I did long ago, and if it could apply to my medieval bent. I remembered being in Chicago at the Art Institute last year, where I saw some medieval and Renaissance painted glass beakers from Germany and Italy. I thought of how I had painted things on glass (I once even had a paying commission for two martini glasses with a whimsical city theme!) But mostly I painted silly things for my own amusement – very happy root vegetables, rabbits, birds on phone wires….

But today at the craft store there were glass paints on clearance so I bought them, and sat down tonight with some pictures to inspire me, and here’s what I got from tonight’s try of a long-forgotten thing. I am pretty clumsy and have forgotten the nice ratios I used to have to thin the enamel, but hey, there it is….

I used the Aldrevandini beaker in the British Museum collection as my inspiration, since it’s mostly leaves, frankly, and not finely detailed pictures of people doing something fun or useful. I think I can almost handle leaves. A photo of it is at the bottom.

Thanet glass, front view
I used heraldry as a motif, like the original glass. Though mine is a little more wonky.
Thanet glass, side view
I used the floral and leaf motif from the original as well, and yes, they are parti-colored in the original one as well.
Thanet glass, side detail
Detail of flower-leaf-thing.
Thanet glass, three quarter view
Side-ish view of the jar, with leaves. The little yellow flowers are in the original as well.
Practice jar, painted enamel in the Venetial style
I used a jam jar for practice, especially fitting since it's one I am often teased about by a house brother, because I use it for the dragging about of cordials (I just hate corks for stuff you have to keep re-corking! Just give me a gol-darned screw top, period be dashed!) So I blinged it up Thanet style.

This is the piece which was the inspiration for the work. It’s obviously a totally different style of glass, not a jam jar, and it really shows that I need to thin out the enamel somewhat to get a finer line to work with, but overall, I think it’s not the worst start of things, given the last time I picked up a paint brush.

 

The Aldrevandini Beaker - British Museum
The Aldrevandini beaker is a uniquely well-preserved example from a group of glass vessels produced in Venice at the end of the thirteenth and the beginning of the fourteenth century.

 

More to come, surely.

 

For the Dream – A Bardic Fundraiser

A dedicated SCA bard, Lady Loralei Skye, started a great project, “For the Dream – A Bardic Fundraiser” to add to the Society coffers, recently somewhat depleted. Her effort brought bards from 10 kingdoms who sent in over 120 minutes of music, which was divided into two-volumes which will be sold as digital downolads at ibards.org. Each volume has 17 songs.

I am pleased to be the designer for the “cd cover” on the project.

For the Dream - A Bardic Fundraiser - Volume One
For the Dream - A Bardic Fundraiser - Volume One

The image in this is from a 14th century manuscript – “Mummers. Bodleian Library MS. Bodl. 264, fol 21v.”  The music ghosted in the background is “Martim Codax Cantigas de Amigo.”

For the Dream - A Bardic Fundraiser - VolumeTwo
For the Dream - A Bardic Fundraiser - Volume Two

The illumination in this is called “Das Buch von Kaiser” by Diebold Lauber, circa 1440.  The music ghosted in the background is “Martim Codax Cantigas de Amigo.”

The image below is the promotional and theme image being used to promote the set, and the concept. It features instruments drawn by Michael Praetorius from the 1620 publication “Syntagma Musicum, Theatrum Instrumentorum seu Sciagraphia” and people from a document on commedia d’ell arte by Jacques Callot (1592-1635).

For the Dream - A Bardic Fundraiser - promotional art
For the Dream - A Bardic Fundraiser - promotional art

Sing Loudly and Carry a Big Stick – Aneleda Presents for PechaKucha Night

A Bastard Sonnet for Lady Aneleda of Falconbridge

A Bastard Sonnet for Lady Aneleda of Falconbridge
By Syr Cedric of Thanet

Say monarchs to their scribe, “East’s muse commend.
And do employ the Bard’s verse to make told
Else to put her grace and sweet art to pen
Needs so much parchment as to empty fold,
Would cause oak to weep it’s gall ink to lend
And drain the well known Midas pyx of gold.

Let all know how good King Griffith set forth
Throughout snowbound lands to win loyal bard
Rode all compass points west east south and north
And brought forth a jewel of Endewearde.
One from whom laughing sprite spirit does course
Yet gives Crown and humble each kind regard.

Who followed mighty Lucan in summer’s sun
With banner and cheer in hard cuirbolli
Eastern army teared to hear blood songs done
Earned that Tuscan name called girasole.
And gave Kiena and Gregor noble fun
Bearing duty and jest with courtesy.

How then should we our love for her profess?
Make Muse Aneleda, court baroness.

* * * * * * *

This was written for me for Birka this winter, 2012, when I became a court baroness at the hand of King Gregor and Queen Kiena. To have this come from the hand of our house’s head, an honored knight and beloved laurel, was and is deeply moving and humbling.

To see the scroll, click here…https://plus.google.com/photos/105277130246371473226/albums/5703203079053509713?banner=pwa

Website for Kenric and Avelina

So the website I made for Their Highnesses Kenric and Avelina launched today, linked from the East Kingdom website.

http://trh.eastkingdom.org/

Our amazing web minister Alesone and the goodly Mael Eoin were wonderful about getting everything set up on the EK server. I am very, very grateful to them!